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伦敦交响乐团武汉音乐会
演出单位: 指挥:贾南德雷亚·诺塞达 钢琴:叶菲姆·布朗夫曼 演出:伦敦交响乐团
演出城市: 武汉
演出地点: 武汉琴台音乐厅
演出时间: 2018-06-18 19:30
演出票价: 880元,  1180元,  1580元,  

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1米以下儿童谢绝入场,1米以上儿童照章购票(儿童专场除外)

 
演出介绍

 

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提示:此场演出1米以下儿童谢绝入场,1米以上儿童照章购票(儿童专场除外)

 

 

●伦敦交响乐团:世界十大乐团之一,英国三大乐团之一。
●贾南德雷亚·诺塞:美国国家交响乐团音乐总监,伦敦交响乐团、以色列爱乐乐团首席客座指挥。曾指挥柏林爱乐乐团、维也纳爱乐乐团等世界顶级乐团。
●叶菲姆·布朗夫曼:当今国际乐坛评价最高、最受敬仰的钢琴家之一;1997年录制的三首巴托克钢琴协奏曲获格莱美奖;曾与祖宾·梅塔、西蒙·拉特爵士、丹尼尔·巴伦博伊姆等世界著名指挥家及世界顶级乐团合作;被誉为钢琴界的"雷龙"。


伦敦交响乐团武汉音乐会
指挥:贾南德雷亚·诺塞达
钢琴:叶菲姆·布朗夫曼
演出:伦敦交响乐团
曲目:德沃夏克:正午的女巫,Op.108
        李斯特:A大调第二号钢琴协奏曲,S.125
        肖斯塔科维奇:E小调第十号交响曲,Op.93

 

7.30pm, Monday, Jun.18th, 2018
London Symphony Orchestra Wuhan Concert
Gianandrea Noseda, conductor
Yefim Bronfman, piano
Program: Dvorak: The Noonday Witch, Op.108  
              Liszt: Piano Concerto No.2 in A major, S.125
              Shostakovich: Symphony No.10 in E minor, Op.93

 

* 1月23日-2月22日,全场7折。
* 2月23日-3月22日,全场8折。
* 官网、微信、现场同步打折!
* 此活动不与其他优惠活动及会员折扣同享!

 

 

 

贾南德雷亚·诺塞达,指挥

贾南德雷亚•诺塞达,现年53岁,被公认为同代指挥家中的翘楚之一。2016年1月,他被任命为美国的国家交响乐团第七任音乐总监。此外,诺塞达还兼任伦敦交响乐团及以色列爱乐乐团的首席客座指挥、西班牙卡达克斯室内乐团的首席指挥以及意大利斯切萨音乐节的艺术总监。

他自2007年起一直担任意大利都灵皇家歌剧院音乐总监一职,在歌剧院的剧目、巡演、节目录制及电影制作等方面与时俱进,在国际上颇受称赞。过去的十年间,他高瞻远瞩,其宏大的环球巡演成功地使歌剧院稳稳跻身国际歌剧舞台的一流团体之列,也使得该剧院成为意大利首屈一指的文化大使。2017年8月,诺塞达带领都灵皇家歌剧院参加了英国爱丁堡音乐节为期两周的驻地演出,又在阿曼首都马斯喀特进行了为期一周的演出,并成为爱丁堡音乐节有史以来演出周期最长的国外艺术团体。

在2017-2018演出季,主要包括与以色列爱乐乐团、纽约爱乐乐团、巴黎管弦乐团的合作。此外,他不仅将指挥伦敦交响乐团在伦敦本地演出,而且还将赴亚洲地区巡演。2018年5月,他将在卡内基音乐厅执棒大都会歌剧院乐团。

诺塞达曾与世界许多一流的歌剧院及管弦乐团同台合作,包括克里夫兰管弦乐团、斯卡拉歌剧院、慕尼黑爱乐乐团、纽约爱乐乐团、日本广播交响乐团、圣塞西利亚国立学院管弦乐团、费城交响乐团、伦敦皇家歌剧院、维也纳交响乐团和苏黎世歌剧院等。2015年,他首次指挥柏林爱乐乐团,并在当年的萨尔茨堡音乐节上首次指挥维也纳爱乐乐团演出歌剧《游吟诗人》,并指挥多明戈与萨尔茨堡音乐节长期友好合作的庆典演出。

诺塞达迄今已灌录五十余张唱片,其中许多作品都获得乐评人的称赞及奖项。他十多年前主持发起的"意大利之乐"项目按时间顺序收录整理了那些尚未获得充分重视的20世纪意大利音乐作品,使许多杰作重见天日。在执棒维也纳爱乐乐团及都灵皇家歌剧院管弦乐团期间,诺塞达先后与多位著名歌唱家合作,包括德布兰多•达尔坎杰罗、罗兰多•维拉宗、安娜•涅特莱科和狄安娜•达姆娆等录制歌剧专辑。由他指挥伦敦交响乐团演奏、并由该团厂牌LSO发行的布里顿作品《战争安魂曲》及威尔第作品《安魂曲》的录音,受到业内的高度评价。

为表彰他对意大利文艺事业作出的贡献,意大利官方授予诺塞达这位米兰人共和国骑士勋章。2015年,诺塞达被《音乐美国》杂志评选为年度指挥家。此外,他还获得"2016国际歌剧大奖"所授予的"年度指挥家"称号。2016年12月,在瑞典斯德哥尔摩指挥诺贝尔奖的颁奖音乐会。

 

 

叶菲姆•布朗夫曼,钢琴

作为当今国际乐坛评价最高、最受敬仰的钢琴家之一,叶菲姆•布朗夫曼邀约颇多,经常登台各大音乐节,与诸多交响乐团及指挥家合作,并举办系列独奏音乐会。布朗夫曼高超的演奏技巧、音乐力量及超凡的艺术表现力一直广受媒体及听众的赞誉。

作为对三十余年合作演出的一种肯定,布朗夫曼将于今秋与祖宾•梅塔执棒的以色列爱乐乐团进行包括纽约卡耐基音乐厅在内的美国巡演,随后将与长期共事的巴伐利亚广播交响乐团合作,由马里斯•杨松斯指挥,在慕尼黑、伦敦和维也纳等地同台。为庆祝自己六十岁生日,布朗夫曼将于2018年春季与维也纳爱乐乐团及安德烈•奥罗左科-埃斯特拉达一道在纽约、克里夫兰、洛杉矶、费城、匹兹堡、华盛顿、印第安纳波利斯和多伦多等地举行特别演出。欧洲方面,布朗夫曼将在柏林与柏林爱乐乐团合作,并举办独奏会,还将在意大利、法国、比利时、德国及伦敦等地举办独奏音乐会。此外,他将开启与莱比锡布商大厦管弦乐团的巡演,由安德烈斯•尼尔森斯任指挥。而他与伦敦交响乐团和指挥家贾南德雷亚•诺塞达将于2018年6月赴亚洲巡演,并以此为本年度音乐季作结。

布朗夫曼经常与众多的杰出指挥家合作,包括:丹尼尔•巴伦博伊姆、赫尔伯特•布隆斯泰特、谢米扬•毕契科夫、里卡多•夏伊、克利斯托夫•冯•多纳伊、古斯塔沃•杜达梅尔、查尔斯•迪图瓦、丹尼尔•加提、瓦列里•捷吉耶夫、艾伦•吉尔伯特、马里斯•扬松斯、弗拉基米尔•尤洛夫斯基、詹姆斯•莱文、祖宾•梅塔、里卡尔多•穆蒂、安得利斯•内尔森、雅尼克•涅杰-瑟贡,西蒙•拉特爵士、埃萨-佩卡•萨洛宁、弗朗茨•威尔瑟-莫斯特以及大卫•津曼等等。每年夏季,他都会定期前往欧美参加各大音乐节的演出。布朗夫曼一直热衷于室内乐曲目的探索,他的搭档包括平夏斯•祖克曼、玛尔塔•阿格里齐、马格达莱纳•考泽娜、安妮-苏菲•穆特、以艾玛纽埃尔•帕胡德等众多音乐家。

布朗夫曼曾在北美、欧洲及亚洲的顶级音乐厅举行过多场钢琴独奏音乐会,其中包括1989年在纽约卡耐基音乐厅及1999年在纽约林肯中心艾弗里•费雪厅颇受好评的首演。1991年,他与著名小提琴演奏家艾萨克•斯特恩一起踏上赴俄罗斯的巡演之旅,成为他自15岁移民以色列后在俄罗斯的首度公演。同年,布朗夫曼荣获艾弗里•费雪大奖,该奖项也是美国器乐演奏家所能获得的最高荣誉之一。2010年,美国西北大学因布朗夫曼出色的钢琴演奏授予他让•金贝尔•雷恩大奖。

布朗夫曼录制的独奏、室内乐及交响乐作品盛享美誉,曾六次获格莱美奖提名,并于1997年凭着与埃萨-佩卡•萨洛宁及洛杉矶爱乐乐团合作录制的三首巴托克钢琴协奏曲获格莱美奖。布朗夫曼丰富的录音包括与钢琴家艾曼纽尔•艾克斯合作的拉赫玛尼诺夫及勃拉姆斯的双钢琴作品、与以色列爱乐乐团及指挥祖宾•梅塔合作的普罗科菲耶夫钢琴协奏曲全集、与祖克曼室内乐团合作的舒伯特/莫扎特作品录音以及迪士尼影片《幻想曲2000》的电影原声碟。他最新出版的唱片包括:2014年获得格莱美提名的马格努斯•林德伯格第二钢琴协奏曲,该作品系专门为他委约创作,由艾伦•吉尔伯特指挥纽约爱乐乐团演奏,达卡珀唱片公司发行;与由马里斯•扬松斯指挥的巴伐利亚广播乐团合作演奏柴可夫斯基的第一钢琴协奏曲;钢琴独奏唱片《透视》,该唱片与布朗夫曼早前参加的卡耐基音乐厅2007-2008音乐季的艺术家"透视"系列音乐会遥相呼应;与苏黎世市政厅交响乐团合作、由大卫•津曼指挥录制贝多芬全部的钢琴协奏曲,以及与小提琴家吉尔•沙汉姆、大提琴家特鲁斯•默克合作录制的贝多芬三重协奏曲,并由BMG旗下品牌ArtNova发行。

布朗夫曼已发行的DVD包括:由弗朗兹•威尔瑟-莫斯特指挥与维也纳爱乐乐团于2010年在美泉宫合作演奏李斯特的第二钢琴协奏曲,由DG唱片公司发行;2011年在琉森音乐节上与荷兰皇家音乐厅管弦乐团合作,由安得利斯•内尔森指挥,演奏贝多芬第五钢琴协奏曲;与柏林爱乐乐团合作、由西蒙•拉特爵士指挥,演奏拉赫玛尼诺夫第三协奏曲,并由EuroArts公司发行;2015年与弗朗茨•威尔瑟-莫斯特执棒的克利夫兰交响乐团合作演奏勃拉姆斯的两首协奏曲。

 

 

伦敦交响乐团

将最美好的音乐带给尽可能多的听众,一直是伦敦交响乐团事业的核心。从创建发展至今百余年来,乐团投身于服务音乐、服务爱乐者,这一独特的信念代代传承。乐团1904年由伦敦最优秀的音乐家组建,是艺术家所有并保持合作伙伴关系的自治性音乐团体。当年,创始成员全权掌管乐团的计划安排,令乐团可以循序渐进,将"做音乐"推向极致。乐团至今仍为乐手所有,来自世界各地的90位杰出音乐家以满腔热忱与精湛技艺,铸造出独一无二的标志性声音。做音乐一直是乐团事业的坚实核心,专注投入、满怀热忱的行政管理团队亦全力贯彻这一理念。

自从伦敦金融城的巴比肯中心1982年开业以来,伦敦交响乐团一直是巴比肯的驻场乐团。乐团每年演出70场交响音乐会,并在世界各地巡演70场。此外,该团每年在圣路加教堂举办24场音乐会,并通过自己的社群与教育项目--"伦敦交响乐团探索"(LSO Discovery)计划,举办950次音乐工作坊,147场演出。乐团是新音乐的倡导者,定期委约英伦前沿作曲家,为交响乐团及不同组合的小乐队创作重要的新作品。

伦敦交响乐团的艺术家亲如一家,携手为共同的信念而奋进,包括音乐总监西蒙•拉特爵士、两位首席客座指挥贾南德雷亚•诺赛达和弗朗索瓦-格扎维尔•罗特、桂冠指挥迈克尔•蒂尔森•托马斯、终身名誉指挥安德烈•普雷文。乐团与很多世界杰出指挥家和独奏家保持长期合作,为其无限的职业追求提供广阔的舞台。指挥乐团如同驾驶一辆高性能的赛车,正如西蒙•拉特爵士所言,"仿佛在针尖上跳舞"。伦敦交响乐团反应快,悟性高,并始终保持全力以赴的态度。无论演出环境如何,他们均以最佳态度,呈现出最好状态,保证演出的最高水准。乐团许多成员同时从事独奏和室内乐演奏,在伦敦或国外的院校任教,将自己广博的知识分享给未来的音乐家。在乐团之外的经历,赋予乐手们新的灵感与启发,也让乐团的水准不断精进。

伦敦交响乐团也是录制电影音乐的顶尖乐团,曾经(或被指定)为几百部电影大片录制原声,包括《星球大战》、《哈利波特》、《夺宝奇兵》等。该团的"探索"计划让音乐走进社会各个角落,乐团每年还在伦敦特拉法加广场举办一场免费的户外音乐会。这些活动体现了乐团的合作精神,贯彻其坚定信念,即做音乐,让音乐向尽可能多的人敞开大门。

伦敦交响乐团是一个锐意进取、勇于创造的成功团体,多年来持续的创新活力令乐团走在时代发展的前沿。1999年,乐团创立自主唱片厂牌"伦敦交响乐团现场"(LSO Live),为如何录制交响音乐会现场带来一次大变革。该厂牌引领数码新技术应用的前沿,从数字影片、蓝光碟、在线下载到流媒体播放,多次以开拓性创举而成功。该厂牌再接再厉,开发了"伦敦交响乐团游乐"(LSO Play)这款网络视频播放器,使观众可以从多重角度感受乐团演出,体验音乐家的每一个动作与情感。伦敦交响乐团的进取精神让乐团成为一个高度创新型的机构,乐团自营收入达总收入的75%,是英国商业生态中一个重要的文化力量。

伦敦交响乐团致力于创造伦敦乃至世界各地的音乐未来。它与巴比肯艺术中心、伦敦博物馆和伦敦市政厅音乐戏剧学院一起,构成了伦敦市的文化枢纽。乐团由伦敦金融城政府资助,常驻巴比肯中心。此外,该团还是由英格兰艺术委员会拨款的国家津贴艺术团体。该团在世界各地(如纽约、巴黎和东京等)享有艺术驻演资格,并在亚洲地区(尤其是中国和印度)稳步发展,乐团在教育领域的专长是其核心。得益于国内外战略合作伙伴的支持,及资助者的慷慨帮助,乐团在广泛领域不断创造,蓬勃发展。

 

 

Gianandrea Noseda, conductor

Gianandrea Noseda, 53, is widely recognised as one of the leading conductors of his generation. He was named the National Symphony Orchestra's seventh music director in January 2016, with a four-year term beginning in the fall of 2017 for the 2017-2018 season. Noseda also serves as Principal Guest Conductor of the London Symphony Orchestra and the Israel Philharmonic Orchestra, Principal Conductor of the Orquestra de Cadaqués, and Artistic Director of the Stresa Festival in Italy.

He serves also as Music Director of the Teatro Regio Torino since 2007, ushering in a transformative era for the company matched with international acclaim for its productions, tours, recordings, and film projects. His visionary leadership and ambitious global touring initiatives over the last decade have brought the opera house firmly into the realm of the leading international companies on the global stage, where it has become one of Italy's most important cultural ambassadors. Noseda took the Teatro Regio Torino on two major residencies over the last month: two weeks at the Edinburgh Festival in August 2017 and one week in Muscat, Oman earlier this month; the Edinburgh residency was among the longest by a visiting company in the Festival's history.

Highlights of Noseda's 2017-2018 include weeks with the Israel Philharmonic, New York Philharmonic, Orchestre de Paris and a tour of the Far East with the London Symphony Orchestra in addition to concerts in London. In May 2018, he will for the first time lead the Met Orchestra at Carnegie Hall.

Noseda works with the leading opera houses and orchestras in the world, including the Cleveland Orchestra, La Scala, Munich Philharmonic, New York Philharmonic, NHK Symphony, Orchestra dell'Accademia Nazionale di Santa Cecilia, Philadelphia Orchestra, Royal Opera House, Wiener Symphoniker and Zurich Opera. He made his debut with the Berlin Philharmonic in 2015 and at Salzburg Festival debut in 2015 leading the Vienna Philharmonic with performances of Il Trovatore and a gala celebrating Placido Domingo's relationship with the Salzburg Festival.

Noseda's intense recording activity counts more than 50 CDs, many of which have been celebrated by critics and received awards. His MusicaItalianaproject, which he initiated more than ten years ago, has chronicled underappreciated Italian repertoire of the 20th century and brought to light many masterpieces. Conducting the Vienna Philharmonic Orchestra and the Orchestra Teatro Regio Torino he has also recorded opera albums with celebrated vocalists such as Ildebrandod'Arcangelo, Rolando Villazon, Anna Netrebko, and Diana Damrau. The critics have received both recordings with the LSO for the label LSO featuring the War Requiem by Britten and the Messa di Requiem by Verdi with huge acclaim.

Gianandrea Noseda has a strong presence in Far-East: beside the regular visits to Japan, both with the leading symphony orchestras and on tour with the institutions he has been associated (the BBC Philharmonic and the Teatro Regio Torino), he has visited Korea and China. His most recent visit to Hong Kong dates February 2016.

 

 

Yefim Bronfman, piano

Internationally recognised as one of today's most acclaimed and admired pianists, Yefim Bronfman stands among a handful of artists regularly sought by festivals, orchestras, conductors and recital series. His commanding technique, power and exceptional lyrical gifts are consistently acknowledged by the press and audiences alike.

In recognition of a relationship of more than 30 years, Mr. Bronfman will join the Israel Philharmonic conducted by Zubin Mehta for concerts during the orchestra's US tour in the fall including Carnegie Hall, followed by concerts in Munich, London and Vienna with the Bayerischer Rundfunk Orchestra and Mariss Jansons, another frequent partnership and collaborator. In addition to returns to the orchestras of New York, Cleveland, Los Angeles, Philadelphia, Pittsburgh, Washington, Indianapolis and Toronto, he will tour with the Vienna Philharmonic and Andrés Orozco-Estrada in a special program celebrating his 60th birthday in the spring. In Europe, he can also be heard in Berlin with the Philharmonic as well as in recital; Italy, France, Belgium, Germany and London also in recital; and on tour with the Leipzig Gewandhaus Orchestra conducted by Andris Nelsons. A tour in Asia with the London Symphony Orchestra and Gianandrea Noseda brings the season to a close in June.

He has also given numerous solo recitals in the leading halls of North America, Europe and the Far East, including acclaimed debuts at Carnegie Hall in 1989 and Avery Fisher Hall in 1993. In 1991, he gave a series of joint recitals with Isaac Stern in Russia, marking Mr. Bronfman's first public performances there since his emigration to Israel at age 15. That same year he was awarded the prestigious Avery Fisher Prize, one of the highest honors given to American instrumentalists. In 2010, he was honoured as the recipient of the Jean Gimbel Lane prize in piano performance from Northwestern University.

Widely praised for his solo, chamber and orchestral recordings, Mr. Bronfman has been nominated for 6 GRAMMY® Awards, winning in 1997 with Esa-Pekka Salonen and the Los Angeles Philharmonic for their recording of the three Bartok Piano Concerti. His prolific catalog of recordings includes works for two pianos by Rachmaninoff and Brahms with Emanuel Ax, the complete Prokofiev concerti with the Israel Philharmonic and Zubin Mehta, a Schubert/Mozart disc with the Zukerman Chamber Players and the soundtrack to Disney's Fantasia 2000. His most recent CD releases are the 2014 GRAMMY® nominated Magnus Lindberg's Piano Concerto No. 2 commissioned for him and performed by the New York Philharmonic conducted by Alan Gilbert on the Da Capo label; Tchaikovsky's Piano Concerto No.1 with Mariss Jansons and the Bayerischer Rundfunk; a recital disc, Perspectives, complementing Mr. Bronfman's designation as a Carnegie Hall ‘Perspectives' artist for the 2007-2008 season; and recordings of all the Beethoven piano concerti as well as the Triple Concerto together with violinist Gil Shaham, cellist TrulsMørk, and the Tönhalle Orchestra Zürich under David Zinman for the Arte Nova/BMG label.

 

 

London Symphony Orchestra

The London Symphony Orchestra is bringing the greatest music to the greatest number of people. This is at the heart of everything that it does. This commitment to serve music and the people who love music is borne of a unique ethos developed over more than 100 years. Established in 1904 by a number of London's finest musicians, the LSO is a self-governing musical collective built on artistic ownership and partnership. By taking full control of their activities, the founding Members were able to set an agenda that pushed music-making to the fore. The Orchestra is still owned by its Members and has a signature sound emanating from the combined zeal and virtuosity of these 90 brilliant musicians who come from around the world. Music-making remains firmly at the centre of the Orchestra's activities, and this approach is embraced by a dedicated and enthusiastic administration.

The LSO has been the Resident Orchestra at the Barbican in the City of London since the Centre opened in 1982. It gives 70 symphonic concerts there every year, and performs a further 70 concerts worldwide on tour. The LSO also programmes 24 concerts at LSO St Luke's and 950 workshops and 147 concerts through its community and education programme, LSO Discovery, each year. It is a champion of new music and regularly commissions some of the foremost British composers to write significant new works for full orchestra and mixed-ability ensembles.

The LSO has developed a close family of artists who continually demonstrate their commitment to this Orchestra, with Sir Simon Rattle as Music Director, Gianandrea Noseda and François-Xavier Roth as Principal Guest Conductors, Michael Tilson Thomas as Conductor Laureate and André Previn as Conductor Emeritus. We also enjoy long-standing relationships with some of the world's greatest conductors and soloists who relish the boundless professional ambitions that the LSO offers. Conducting the Orchestra has been likened to driving a high-performance sports car that can, in Sir Simon Rattle's words, ‘turn on the head of a pin'. It is a responsive and intelligent Orchestra, with an attitude of total commitment in all that it does. This is guided by a desire to always be the best it can possibly be and to give the highest quality performances no matter what the performance setting. Many LSO Members enjoy flourishing solo and chamber music careers and teach at conservatoires in London and abroad, sharing their extensive knowledge with the musicians of the future. These musical experiences are always brought back into the Orchestra itself, where they inspire and influence the players towards even higher standards of performance.

Many millions have enjoyed the LSO through its reputation as a leading orchestra for film, having performed on (and been specifically chosen for) hundreds of classic scores including Star Wars, Harry Potter and Indiana Jones. LSO Discovery brings the work of the LSO with all parts of society, and every year the Orchestra gives a free outdoor concert in London's Trafalgar Square. Combined, these activities reflect the LSO's co-operative spirit and its ongoing commitment to making music as accessible as possible to the greatest number of people.

The LSO is an entrepreneurial and successful creative enterprise with a history of innovation that helps to keep it relevant and contemporary. With the formation of its own recording label LSO Live in 1999, the Orchestra brought about a revolution in how live orchestral music was recorded. The label strives to embrace new digital technologies, having successfully made pioneering moves into digital film, Blu-Ray Audio, downloads and streaming. It continues to innovate with platforms such as LSO Play, a web-based video player that allows people to observe the Orchestra from many different angles and experience every gesture and emotion on the musicians' faces. The LSO's entrepreneurial spirit is what makes it a highly successful creative enterprise and an important cultural part of the United Kingdom's commercial community, self-generating 75% of its own income.

The LSO is determined to ensure the future of great music in London and throughout the world, and is part of a cultural hub in the City of London alongside the Barbican Centre, the Museum of London and the Guildhall School. Its Barbican Residency is funded by The Corporation of London and the LSO is a National Portfolio Organisation of the Arts Council England. It also enjoys major artistic residencies throughout the world - in New York, Paris and Tokyo - plus growing relationships elsewhere in Asia, principally China and India, where its expertise in education work is key. The Orchestra relies on all of these strategic partnerships at home and abroad, plus its generous funders, to enable it to continue delivering a dynamic range of work.

 

 

 
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